“STABAT MATER” – EDWARD CLUG

A moving choreographic interpretation of Pergolesi's Stabat Mater – one of the most famous musical adaptations of the medieval sequence describing the suffering of the Virgin Mary standing beneath the cross of her son Jesus. Clug's interpretation emphasizes the hope contained in Pergolesi's music; in its melodiousness, clarity of texture, and harmony, the artist sees optimism and even traces of irony or even humor, which contrasts with the pain and torment of the Mother. For the choreographer, it is a hymn in honor of women, where tenderness and delicacy are combined with sacrifice and devotion. The choreography has strong allegorical references to traditional symbolism, but presents them in a new way through the intimacy and timelessness of the dance, which reflects our personal understanding of the relationship between mother and son. Clug's Stabat Mater gives Pergolesi's work new life and meaning, inspiring the audience to reflect on their own place in the world and the legacy they will leave behind.

Music: Giovanni Battista Pergolesi – “Stabat Mater". Recording by the soloists, choir, and orchestra of the Slovenian National Theatre in Maribor (Slovensko narodno gledališče Maribor, SNG).

“STABAT MATER” – DANIELA CARDIM

Karol Szymanowski’s Stabat Mater, interpreted choreographically by Daniela Cardim, is a story firmly rooted in the present day: the war in Ukraine served as the inspiration for the creation of the performance. In an almost tender manner, Cardim draws a parallel between the Virgin Mary standing beneath the cross of her dying Son and women who lose their husbands, sons, or fathers. Through the use of diverse dance techniques, including neoclassical ones (partnering and pointe work), Daniela Cardim creates a universal narrative of suffering, pain, and longing after the loss of a loved one. The choreography captivates with its symmetry, synchronisation, and coherence, all stemming from a deep understanding of Szymanowski’s work and the emotions it conveys. The moving music combined with dance in the impeccable interpretation of the Poznań Ballet, the austerity of costumes in shades of grey, and the subtle play of light together create a performance that resonates profoundly.

Music: Karol Szymanowski – “Stabat Mater". Recording from the concert held at the University Aula in Poznań on 16 March 2022. The Choir and Orchestra of the Stanisław Moniuszko Grand Theatre in Poznań were conducted by Jacek Kaspszyk. Vocal soloists: Iwona Sobotka (soprano), Joanna Motulewicz (mezzo-soprano), Mariusz Godlewski (baritone).

The Theatre Management reserves the right to make changes to the repertoire, cast, dates, and form of the event.